Was there chamber pop after the Beatles and Bee Gees and before Belle & Sebastian? The missing link is Cardinal's self-titled debut. The album's release in 1994, which seemed to come out of nowhere, with its layered textures and delightful melodies, swimming against the tidalwave of grunge. It ushered in an era of renewed appreciation for the orchestrated pop music of the 1960s, and at the same time inspired and influenced a host of modern artists, who followed in Cardinal's footsteps,...
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