Fire’s colossal Half Japanese series began in 2013 with the Record Store Day exclusive of ‘Half Gentleman/Not Beasts’, a collection of the Fair brothers earliest home recordings, originally released as a homemade three LP box set. These stretch their DIY, lo-fi ethos to the limits featuring sound experiments cobbled together from guitar noise, electronics and odd effects, whilst throwing in some barely recognizable covers (such as tracks by The Temptations, Buddy Holly and Bob Dylan).this set contains the records in their original form, plus original artwork from Jad Fair.
Over the years ‘Half Gentlemen/Not Beasts’ became something of a cult legend, partly helped by it’s scarcity and foreshadowed much of the lo-fi movement of early 90s indie rock. In 1995, Rolling Stone Magazine chose the Half Japanese album ‘Half Gentlemen / Not Beasts’ as one of the top 100 most influential Alternative albums and Spin Magazine’s Alternative Record Guide states; “Half Japanese assumed it was the greatest Rock and Roll band on the planet. It was often right.”
Next came ‘Half Japanese Vol.1 1981-1985’ including ‘Loud’, ‘Our Solar System’ and ‘Sing No Evil’. Volume 2 collectively brought together recordings from 1987-89, starting with 1987’s brilliant ‘Music To Strip By’ before the non-stop rock and roll blast of 1988’s ‘Charmed Life’ blazes into the mix of flat out fun and experimentalism that is 1989’s ‘The Band Who Would Be King’. Volume 3 encompassed ‘We Are They Who Ache With Amorous Love’, ‘Fire In The Sky’ and ‘Hot’.
The final volume of the four-part Half Japanese box set series “Volume 4: 1997-2001” – includes albums “Bone Head”, “Heaven Sent” and “Hello”. Showcasing a range of experimental pop smarts and noisy punk bite, these albums see the band surrounding Jad Fair’s musings on subjects from hopeless monsters to hopeless romantics with everything from sharp melodies to 64 minute work outs, with a Primal Scream cover thrown in there for good measure.
“This should lay to rest any questions about the importance of Half Japanese. Without them, we wouldn’t have the primitive pop of Beat Happening nor the id-bearing beauty of Daniel Johnston.”Paste Magazine