First issued over 40 years ago, and now remastered from original tapes, Avocet is a concept piece that is often cited by fans as a favourite.
Avocet begins with 18-minute-long title track, inspired by traditional song ‘The Cuckoo’. The five following compositions, also named after birds, are rich instrumental tapestries rooted in traditional folk and folk rock.
- Limited Art print edition, reissued as part of ‘Bert Jansch 80’, celebrating the enduring legacy of Bert Jansch’s peerless guitar playing and songwriting, comes with 6 high-quality, lithograph art prints (by UK illustrator Hannah Alice) representing each of the birds on the album, held in a heavy board die-cut gatefold sleeve.
- Limited white vinyl edition with downloadable bonus tracks
New liner notes from Pentangle bandmate and collaborator Danny Thompson
£12.00 – £40.00
Expanded 40th anniversary edition, featuring newly discovered live tracks and notes from Pentangle bandmate (and Avocet collaborator) Danny Thompson. Bert Jansch was often quoted as saying “I’m not playing for anyone, just myself” and this feels no more apparent than on 1979’s ‘Avocet’, his beautifully meditative paean to British birds. This isn’t to say that Jansch was throwing commercial success to the wind, or was unaware of his audience, more that this album feels like a uniquely personal reflection of him. (The subject of British birds is one that Jansch held close to his heart. Indeed, just preceding this album was his 1978 split 7” single with Shirley Collins – with proceeds in aid of the RSPB.)
For fans of Jansch this is often the album that is singled out as his best work. The freedoms of a post-Pentangle career are much in evidence; folk rock and even trad folk give way to an album that is not only without lyrical accompaniment but really quite orchestral, classical even, in its composition. There are surprises in particular in ‘Lapwing’ (a dirge-like waltz that wouldn’t be out of place on a Nils Frahm album) and ‘Bittern’ (which speaks of Arthur Russell’s more experimental pieces).
Featuring ex-bandmate Danny Thompson, alongside Martin Jenkins (Dando Shaft, amongst others) with sleeve notes by Jansch aficionado Colin Harper (author of ‘Dazzling Stranger: Bert Jansch and the British Folk and Blues revival’). This new edition also comprises three never-before heard tracks, recorded live in Italy in 1977 with Martin Jenkins (‘Bittern’; ‘Kingfisher’; ‘Avocet’), as well as Danny Thompson’s recollections of the making of ‘Avocet’, recorded by Dave Thompson (Mojo Magazine) in typical style. Remastered by Brian Pyle from original tapes.