Diary of a Candle
Faten Kanaan
Minimal and nuanced, Diary of a Candle is a consoling, melodic suite from acclaimed experimental composer, musician, and producer Faten Kanaan. On this album Faten uses counterpoint as a narrative tool to create music that is mysterious, smudgy, and deeply melodic. From the repetitive structures of modern minimalism and early music/baroque influences – to more languid textural ebbs and tides, there’s a warmth in her use of synthesizers that gives her work a curiously timeless feel.
- Limited Edition on Celadon Green Vinyl
“Faten Kanaan’s handmade approach to electronica lets playfulness weave through her cinematic forms, as orchestral tapestries, chamber folk and electronics commune” ★★★★ Mojo
“Evoking lofty themes it has undeniably visceral cinematic effect” Gorilla Vs Bear
£24.00
Minimal and nuanced, Diary of a Candle is a consoling, melodic suite from acclaimed experimental composer, musician, and producer Faten Kanaan. On this album Faten uses counterpoint as a narrative tool to create music that is mysterious, smudgy, and deeply melodic. From the repetitive structures of modern minimalism and early music/baroque influences – to more languid textural ebbs and tides, there’s a warmth in her use of synthesizers that gives her work a curiously timeless feel. Composing intuitively, her music creates its own world – one that isn’t easily categorised.
Diary of a Candle is punctuated with tender woodwinds and richly-layered strings, touched by the hazy atmospheres of 1970s/1980s films. Its understated heart-on sleeve romanticism follows the rhythm of nature: it bends in the breeze, drifts through the air, and settles on the ground. The ambiance is not an escapism, but the re-focusing of a lens through which humans are no longer the protagonists. Instead, a landscape’s intimate details become the central figures.
With the sparseness of Hiroshi Yoshimura’s 1982 album ‘Music for Nine Post Cards’ as a starting-point influence, Faten’s music exudes a wistful yet hopeful sentiment, honouring moments of beauty in the world around us. Some of the album titles are inspired by East-Asian rites and folkloric superstitions, often related to nature.
All music written performed and mixed by Faten Kanaan
Mastered by Heba Kadry
Tracklist
A2 Celadon
A3 Tsukumogami (Sensu)
A4 Book of Changes
A5 Supercore
A6 Acorns
B1 Soseol
B2 Alcoyana-Capri
B3 Scene for a Wooden Room
B4 Sondol Baram
B5 Barjees
B6 Naming the Cloud (Version 2)
Description
Minimal and nuanced, Diary of a Candle is a consoling, melodic suite from acclaimed experimental composer, musician, and producer Faten Kanaan. On this album Faten uses counterpoint as a narrative tool to create music that is mysterious, smudgy, and deeply melodic. From the repetitive structures of modern minimalism and early music/baroque influences – to more languid textural ebbs and tides, there’s a warmth in her use of synthesizers that gives her work a curiously timeless feel. Composing intuitively, her music creates its own world – one that isn’t easily categorised.
Diary of a Candle is punctuated with tender woodwinds and richly-layered strings, touched by the hazy atmospheres of 1970s/1980s films. Its understated heart-on sleeve romanticism follows the rhythm of nature: it bends in the breeze, drifts through the air, and settles on the ground. The ambiance is not an escapism, but the re-focusing of a lens through which humans are no longer the protagonists. Instead, a landscape’s intimate details become the central figures.
With the sparseness of Hiroshi Yoshimura’s 1982 album ‘Music for Nine Post Cards’ as a starting-point influence, Faten’s music exudes a wistful yet hopeful sentiment, honouring moments of beauty in the world around us. Some of the album titles are inspired by East-Asian rites and folkloric superstitions, often related to nature.
All music written performed and mixed by Faten Kanaan
Mastered by Heba Kadry