The Reds, Pinks and Purples reveal ‘My Toxic Friend’ from their new album ‘The Past is a Garden I Never Fed’

The Reds, Pinks and Purples release ‘The Past Is A Garden I Never Fed’  out 4th July on Fire Records.

Having penned over 200 songs and released eight albums in the last six years, The Reds, Pinks and Purples release a collection of tracks previously unreleased on physical format that continues to romanticize the wonders and woes of the world.

With song titles that read like chapter sub-heads for a post-Douglas Coupland novella, ‘The Past Is A Garden I Never Fed’  takes The Reds, Pinks and Purples central orator Glenn Donaldson through the turmoil of small talk and everyday water cooler moments with a fine sense of pathos and irony.

Set to a soundtrack that swerves between the dark days of Television Personalities and Byrdsian twang to the Jarvis Cocker-styled rhetoric and vocal tenderness of ‘Richard In the Age Of The Corporation’ with hints of everything from Husker Du’s fuzzed splendour to the chiming majesty of The Chameleons it’s an empowering listen.

The Reds, Pinks and Purples story started when Glenn Donaldson released songs like monthly postcards to a small but loyal following.

Glenn: “I looked around at the indie landscape and I felt that there weren’t enough people putting themselves out there as the awkward emotionally exposed main character in the songs.”

Eventually, he decided to make some honest pop music, and since 2019 he’s released eight vinyl LPs on Slumberland (USA) and Tough Love (UK). From humble beginnings as a home recording project, The Reds, Pinks and Purples has blossomed into a sporadic live unit with tours on both sides of the Atlantic and appearances at Pitchfork Festival London and Woodsist Festival as well as support slots for indie legends such as Destroyer, Guided By Voices, and The Feelies.

‘The Past Is A Garden I Never Fed’  is out 4th July. Available in Limited Edition Neon Pink LP & CD.

Listen

The Reds, Pinks and Purples ‘The Past Is A Garden I Never Fed’

 

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Donaldson’s best work hides allure within a bigger picture, like a jangle-pop egg hunt

Pitchfork