Moving from whispered acoustics and vocoder-soft vocals towards a swelling, cinematic finale, ‘Werewolf Ending’ is a hypnotic meditation on culminations and transformations – and the brand-new single by isle of Eigg-based Scottish psychedelic electronic-pop ogre Johnny Lynch, AKA Pictish Trail
MEMORIALS respond to the overwhelm with brand new single 'In The Weeds' - their first new music since the release of their acclaimed debut album, 'Memorial Waterslides' (2024). They also announce a new tour a tease new music on limited 7" single.
‘Horrorful Heights’ marks a formidable new chapter in The Bevis Frond’s deep and storied catalogue, showcasing the enduring creativity of songwriter, guitarist and frontman Nick Saloman as he moves into yet another decade of recording.
Arriving fully formed, lucky break’s ‘Darklight’ is a playful, self-assured, and self-actualized piece of music from someone who has more than found her voice. Helping the young musician make sense of the world though her songwriting, ‘Darklight’ is a euphoric slice of indie rock and effortless pop that shines its light on turbulent relationships
Scandinavian indie pop four-piece Hater end a three-year hiatus following their formidable third album 'Sincere'
The Lemonheads' 'Car Button Cloth', The Dream Syndicate's 'Medicine Show', Giant Sand & Howe Gelb's 'Sandworms' and Television Personalities' 'Tune In, Turn On, Drop Out: Radio Sessions 1980-1993' have landed on Rough Trade's selection of Best Compilations and Reissues Of The Year
'Long March Through the Jazz Age' is the last recorded work by Chris Bailey and The Saints. It’s a moving farewell - a testament to a restless, uncompromising artist who always moved forward, one of rock’s great lyricists and iconoclasts
Originally released on Weaver's own label Bird Records, 'The Fallen By Watch Bird' is a tapestry of psychedelic femme-folk-rock drawing influences from Eastern European children's cinema, Germanic kunstmärchen, 70s television music, and 80s electronic scores. Steeped in synths and mysticism, the fully realised conceptual record weaves imagery of absent sailors, telekinesis, bird messengers and white witchcraft alongside pagan themes of death and rebirth
‘Country Boy’ is an aching lament to lost outsiders confronted by the big city; in some ways an answer to Journey’s ‘Don’t Stop Believing’ that resonates like an out-take from Linda Rondstadt’s classic Silk Purse, complete with a wailing steel guitar