'Season Of The Peach (Deluxe Edition)' which brings together their latest album, 'Season of the Peach' and 'Bebop Armageddon' available in streaming for the first time. The release coincided with the band’s forthcoming West Coast North American dates
Like fruit ripened through patience, ‘Sugar Stone’ holds sweetness and density in equal measure. A melting Precision Bass and distant piano stabs carry the music upward, suspended between gravity and grace. Cathy Lucas adds, “Sugar Stone is about how time feels to me right now at this moment in my life. It can be counted now at the breakneck rate of an infant’s changing eyes.”
'Eddie's Album', the second single from Black Bananas, distils restless rhythm, hypnotic repetition, and deceptively addictive hooks into something both immediate and elusive. Driven by a kinetic pulse, elastic groove, and fractured pop instinct, it feels simultaneously futuristic and strangely familiar—another unmistakable Black Bananas radio-ready transmission operating just outside the expected.
First single, “Faces Names and Places”, a rousing rocker calling for a thorough accounting of those responsible for the world’s ills, is a near-perfect fit for the current moment.
The trio will also be headlining Samhain Ritual on October 29th at Earth Hackney in London
Following on from 2023’s Clear Pond Road, Kristin Hersh returns with new solo set Sugar On Blackstone out 18th September on Fire Records along with an extensive tour this Autumn across the UK, Europe and Australia.
Jennifer Herrema’s Black Bananas return with Bad Bunch, the group's first album since 2014’s Electric Brick Wall and Herrema’s first release since Royal Trux’s White Stuff in 2019. Assembled across more than a decade the record arrives September 4th via Fire Records (their first for the label), with lead single 'Turkey Burgers' out now.
Nurtured on 90's alternative indie, lucky break's music melds the emotionality of Fiona Apple, the wide-eyed wonder of Bedouine and Americana alt-rock of Lucinda Williams. Appealing to enthusiasts of Alvvays, Hole, Phoebe Bridgers and The Breeders, Melissa Auf der Maur has notably been an early supporter of her work.
Davis’ coming-of-age debut unfolds like a Townes Van Zandt tale set in a deserted diner off a re-routed interchange—intimate, cinematic, and quietly fearless. Haylie Davis channels the spirit of the early ’70s, when Carole King and Joni Mitchell redefined songwriting