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Melbourne post-punk band RVG release new album ‘Brain Worms’

Named for the hyper-recognizable experience of each day bearing witness to a world of private obsessions being aired out in the infinite, Brain Worms may not be wholly new territory for the Melbourne post-punk band and its lyricist/frontwoman Romy Vager, but this time around, there’s a newfound radical acceptance glistening overtop everything.

Mega Bog’s new album ‘End Of Everything’ is out now

'End of Everything' is the intrepid seventh album from Mega Bog, a nightmarish experimental pop ensemble led by Erin Elizabeth Birgy. 'End of Everything'  was recorded with James Krivchenia (Big Thief) who co-produced the record with Birgy and played drums, bringing his rhythmic mastery and wild percussive spirit. Krivchenia also mixed the record and co-engineered it with Phil Hartunian. The album's fantastical textures and heavy polyphony owe a great deal to synthesizer maestro and pianist Aaron Otheim. Zach Burba, one of the founding members of Mega Bog, plays bass, while Will Segerstrom, Meg Duffy (Hand Habits), and Jackson Macintosh (Drugdealer, TOPS) contribute electric guitars.

Josephine Foster announces new single ‘Haunted House’. From her upcoming album ‘Domestic Sphere’

Josephine Foster's Domestic Sphere is an altar cloth of songs stitched together as liturgical music for a restless homestead, whose values insist simply that everything is music and that our daily life is a sacred, innately creative practice. In such a world creaking doors reveal natural orchestras with wailing cats in service of melodic collaborations with Tennessee songbirds, Foster's world is an extra-sensory radio play in two acts, where songs overlay structures like creeping vines

Mega Bog announces new album ‘End Of Everything’. Listen to ‘The Clown’

'End of Everything' is the intrepid seventh album from Mega Bog, a nightmarish experimental pop ensemble led by Erin Elizabeth Birgy. In 2020, Birgy was surrounded by seemingly endless turmoil: mass death, a burning planet, and a personal reckoning when past traumas met fresh ones. Living in Los Angeles, against the backdrop of brilliantly horrifying forest fires, she questioned what perspective to use moving forward in such dumbfounded awe. Deciding to seize something tangible, she produced a record that spoke of surrender, of mourning, and support in the face of tumultuous self-reflection.